Credits:

MUSICIANS
Gary Motley, piano
Craig Shaw, bass
Terreon Gully, drums
Alex Lattimore, vocal (5,7)
Veronica Motley, additional vocal (7)
Randy Hunter, flute (7)
Dan Baraszu, guitar (7)

PRODUCTION
Produced by G-Stream Media
Recorded and mixed by Brian Adams
Mastered by Trammell Starks

2014 G-Stream Media

DEPARTURE REVIEW

As I cruised down the highway immersed in my quiet time listening to this advanced offering by composer, pianist and educator Gary Motley, it was no surprise that I was witness to a departure from the mundane. From the line, this project fittingly takes off with a fast-paced Fits And Starts, and keeps pace into Someday Sunday. Suffice it to say it continues with the title track and moves easily through the balance of the eight tunes that comprise this work.

I was half way through a most engaging escape when the voice of Alex Lattimore snapped me back to reality and my internal conversation rebooted. Not just listening to words, I found myself interacting with the lyrics of life. Arranging sound and rhythm like light and shadows of film noir, this consummate accompanist enhances the poignancy and sensitivity of Caught and Stay With Me that touches the heart of any relationship mired in the pursuit and promise of love.

With a project like this, one can only surmise that only schedules were the biggest obstacle in getting into the studio. Enlisting bassist Craig Shaw and drummer Terreon Gully, two fellow original members of The Swing Association, it is never more evident that Gary knew their magic had not been lost over time. One clearly hears the comfort of camaraderie in their performance, each playing off and with the other. Mix in the additional ingredients of lyricist/vocalist Veronica Motley, flautist Randy Hunter, and guitarist Dan Baraszu with the strings of the Vega Quartet and you have a perfect blend of talent.

What I discovered with this recording is there is no track order that would otherwise diminish the experience. In the days of wax they used to say, “drop the needle and let it play” which meant there was no need to skip over tracks. In Mr. Motley’s case, it is a departure, in that any order is just as delightful. Listen as you desire and I guarantee, you will play and recommend this work of art to friends for years to come.

Carl Anthony
Notorious Jazz