Photo by Bill Head

Last Friday evening, February 14, the Emory Jazz Fest transformed into something extraordinary. Before a packed house, we witnessed the power of jazz to unite, remember, and create moments of pure musical transcendence.

The evening began with a heartfelt tribute to Sam Yi, whose tireless advocacy helped shape Atlanta’s jazz landscape. It was fitting that such a celebration of jazz would begin by honoring someone who understood so deeply what this music means to our community.

When David Sánchez took the stage with our trio – myself on piano, the masterful Leon Anderson on drums, and the brilliant Kaleb Thompkins on bass – something clicked immediately. David’s approach to rhythm has always fascinated me, but experiencing it firsthand was revelatory. He doesn’t just play with time; he reshapes it, creating these intricate layers that somehow feel both complex and completely natural.

What struck me most was how David’s rhythmic conception drew from his Puerto Rican heritage while speaking the language of contemporary jazz. His phrases would dance around the beat, sometimes floating above it, other times diving deep into its core. The way he’d build tension through rhythmic displacement before releasing it in these gorgeous melodic runs – it was masterful.

Our trio found ourselves swept up in this rhythmic current. Leon’s drumming responded beautifully to David’s phrases, creating this wonderful dialogue that kept evolving throughout the night. Kaleb’s bass lines provided both anchor and counterpoint, while I found myself discovering new ways to comp and solo within these shifting rhythmic frameworks.

There are nights when everything aligns – when the music, the musicians, and the audience all become part of something larger. Friday was one of those nights. The sold-out crowd seemed to lean into every moment, their energy feeding back to us on stage and pushing the music to new places.

Looking back, what I’ll remember most is how natural it all felt. Despite the complexity of David’s concepts, nothing seemed forced. It was just four musicians listening deeply, responding honestly, and creating something that none of us could have made alone.

To everyone who joined us that night – thank you. Special thanks to Emory University for continuing to make the Jazz Fest a vital part of Atlanta’s musical calendar. And to David Sánchez – gracias for sharing your artistry and vision with us. These are the nights that remind us why we love this music so much.

Until next time,
Gary

The annual Emory Jazz Fest brings world-class jazz to the community with master classes, artist demonstrations, and concerts featuring the Gary Motley Trio with bassist Kaleb Thompkins and percussionist Leon Anderson, the Emory Big Band, and Grammy Award–winning saxophonist David Sánchez.

EMORY JAZZ FEST SCHEDULE OF EVENTS (Events take place in Emerson Concert Hall, unless otherwise listed)

Thursday, Feb.13 at 2:30 p.m., Lecture/Demonstration with David Sánchez | Free | No tickets required

Friday, Feb. 14 at 8 p.m., David Sánchez and the Gary Motley Trio | Tickets $30 | Emory Students $10

Saturday, Feb. 15 at 11:30 a.m.,  Jazz Clinic | Tharp Rehearsal Hall | Free | No tickets required

Saturday, Feb. 15 at 8 p.m., Emory Big Band | Free |Tickets required

Schwartz Center Box Office 404-727-5050

I had a great time meeting new friends and connecting with old ones at the 2025 Jazz Education Network conference. A particularly rewarding experience was this “after jam” jam session initiated by Kenny Banks Jr. which evolved into a piano round with yours truly, William Menefield, and others.

Exciting News for Jazz Lovers!

I’m thrilled to share my latest Spotify playlist, “Blue Notes and Black Coffee”, featuring some of the finest jazz tunes by Atlanta-based artists, including yours truly!

With Jazz Education Network Conference 2025 hitting our city this Wednesday, there’s no better time to dive into the rich sounds of Atlanta’s jazz scene. From the smooth rhythms of local legends to fresh beats from emerging artists, this playlist is your perfect companion to explore the vibrant jazz culture of our great city.

You can find the playlist on my Spotify Artist page and on the Spotify page of many of the featured musicians.

Let’s celebrate the artistry and passion that make Atlanta a jazz haven. Whether you’re at the conference or just chilling at home, let these tunes transport you to the heart of Atlanta’s jazz soul.

Don’t forget to follow the playlist and share your favorite tracks in the comments. Here’s to keeping the  jazz spirit alive!

Hey, future doctors, lawyers, business leaders (and yes, jazz enthusiasts)!

Even if medicine, law, or business is your main game, music has a way of making life richer. If you’re heading to the JEN Conference in Atlanta, January 8-11, discover how Emory University’s unique approach to jazz fits perfectly into a liberal arts education.

Please stop by booth 713 in Grand Hall East and chat with our team about how jazz studies at Emory complement your academic journey. Whether you’re a pre-med student who plays saxophone to de-stress, a future lawyer who jams on weekends, or just someone who appreciates great music, we’ve got something for you.

Did you know some of our most dedicated jazz students are heading to medical schools and Fortune 500 companies? At Emory, you don’t have to choose between your professional dreams and your passion for music. Our program is designed to enrich your liberal arts experience, not compete with it.

Drop by booth 713, and let’s talk about how you can keep music in your life while pursuing your dreams. And yes, there might be some Emory swag in it for you, too (because what’s a conference without free stuff?).

See you at the conference!

Gary Motley
Founding Director of Emory Jazz Studies

P.S. Can’t find us? Just follow the sound of improvisational greatness (or, you know, look for the big “713” sign in Grand Hall East).

Welcome 2025! This time of year provides an opportunity to reflect and reset. May this season bring you closer to your aspirations and goals. Be the inspiration that motivates others. Be the muse.

Announcing a Limited Edition run of “Muse and the Flame” CDs, each one featuring exquisite artwork by Zoe Dale. Every CD in this special release is individually numbered and personally signed, making it a true collector’s item.

Give yourself or someone special a musical treasure that pairs visual beauty with soul-stirring jazz. Each CD comes in a stunning art package designed to be displayed and cherished. Limited quantities of these special CDs available! Free shipping.

Click on image to access store.

As a jazz pianist who made my way from Anniston to Birmingham, reviewing Burgin Mathews’ “Magic City: How the Birmingham Jazz Tradition Shaped the Sound of America” for Alabama Folklore felt like a natural fit. Released in November 2023, the book traces Birmingham’s significant impact on American jazz – a legacy I’ve experienced firsthand.

Mathews’ engaging exploration brought new insights to familiar territory. Writing the review, I found myself balancing dual roles: a critical reviewer for Alabama Folklore and a musician steeped in the very tradition Mathews examines.

The narrative, rich with compelling figures and unsung masters, deepened my appreciation for the musical heritage that shaped my own path. This review became more than a writing assignment – it offered a chance to reflect on my musical roots while adding to the ongoing discussion of Alabama’s remarkable jazz legacy.

I invite you to read my full review, where I explore the intricate connections between Birmingham’s jazz heritage and its lasting influence on American music.

My 11th album “Muse and the Flame” has dropped and is available on all streaming platforms! What tune speaks to you? Be sure to add to your playlist, stream, and follow. Click on image to listen on Spotify.